Visualize the launch.
AI product and beauty imagery brought the identity and packaging into view before the physical products were ready.
I create and refine imagery around a brand’s visual direction, then carry it into cohesive layouts and format variations. My background in 3D, Photoshop, and brand systems informs the decisions; generative tools support how the work is produced.
Sport changes. The identity stays recognizable. Cool cyan and warm orange, controlled light, and repeated motion cues connect each scene to the same brand system.
Palette, light direction, subject treatment, and background intensity work together. The scenes vary in framing and energy while retaining the same visual character. The portrait uses supplied photography within that system.
The tools evolved. The design judgment carries through. My ongoing work with STS spans identity, custom imagery, Figma website design, and technical communication. These are two generations of commissioned imagery.
A low-resolution reference and separate product images became print-ready artwork for a 250 × 110 cm banner, with a web version. I resolved the perspective, alignment, and product placement so the scene reads as one considered composition.
The original direction established the scene. The supplied product images needed to work together within it.
The small supplied gate image, before perspective and alignment work.
Separate display and stand photos brought into the finished scene.
The supplied product photo, before its placement in the foreground.
I developed the identity and packaging, then created AI launch visuals before production. When the client’s studio photographs became available, I used them as a starting point for AI lifestyle imagery and further content.
AI product and beauty imagery brought the identity and packaging into view before the physical products were ready.
Once production was complete, the client supplied studio photographs of the real products and packaging.
The studio images became the starting point for new AI lifestyle scenes and continuing branded content.
Studio photography supplied by SAE-REN Beauty Lounge. Identity, packaging, AI imagery, creative image treatments, and layouts by Mariya Vasileva.
Separate Photoshop explorations use the product photography in graphic compositions with flowing color and material treatments.
I adapt the composition, not just the dimensions. The visual idea stays recognizable while framing, typography, and information density change to suit the format.
The product grouping and color trails carry through. The taller layout creates a different balance of imagery, empty space, and credits.
The same ingredient imagery, color roles, and packaging study become a feed carousel and a vertical film. Each format has its own framing and information rhythm.
Editorial layouts for Dr. Emily Wheeler use calmer color, clearer information hierarchy, and a more measured visual tone. Brand application adapts to the audience and the message.
Deliverables are organized around the next production step: approved imagery, agreed layered files, and client-specific Figma layouts.
Agreed crops, image variations, and space for typography or motion. Text, logos, and CTAs remain editable layout elements.
Where a client has an existing Figma library, layouts use its components and styles, with clear hierarchy and placement-specific safe areas.
Layered files and separate elements are agreed around what the motion designer or production team needs to animate and adapt the approved direction.
You work directly with me through written direction, shared files, and agreed review points—the same approach used to deliver the projects shown here.